San Francisco International Film Festival 24 April - 08 May 2008

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FILMS/

EMPRESS HOTEL

Cinema by the Bay
USA, 2008, 85 minutes

SHOWTIMES

Sat, Apr 25 / 3:15 / Kabuki / EMPR25K
Mon, Apr 27 / 6:00 / Kabuki / EMPR27K
Wed, Apr 29 / 6:15 / Kabuki / EMPR29K
Thu, May 7 / 12:15 / Kabuki / EMPR07K

CREDITS

dir
Irving Saraf, Allie Light
prod
Allie Light, Irving Saraf, Roberta Goodman
cam
Andrew Clark, Irving Saraf
editor
Allie Light, Irving Saraf
mus
Larry Seymour
source
Light-Saraf Films, 264 Arbor Street, San Francisco, CA 94131. FAX: 415-469-0139. EMAIL: sarafilm@comcast.net.
web
http://www.lightsaraffilms.com/empresshotel.html/


CAUSES
Disabilities, Economic Justice, Family Issues, Local Bay Area Community
Empress Hotel

Watch

The tenants of the Empress Hotel, a Tenderloin facility established by the San Francisco Department of Public Health to house the recently homeless, come from widely diverse backgrounds. Each resident of these small furnished rooms has a story to tell, including the amateur boxer who has spent years of his life behind bars and still struggles with violent urges, the woman with two master’s degrees who found herself homeless when her specialized area of expertise fell into technological obsolescence, the former publisher who follows the spiritual voices he hears almost to the point of suicide and the recovering crack addict desperate to get her weight to rise above 84 pounds. Local filmmaking duo Allie Light and Irving Saraf masterfully imbricate the residents’ life stories and their daily interactions with service providers and building staff to craft a moving portrait of a building, a neighborhood and all of the lives that intersect within. Light and Saraf won an Academy Award in 1991 for their look at the S.F. Opera, In the Shadow of the Stars, and their most recent film bears the mark of two lifetimes of documentary craftsmanship, perhaps most admirably in its resolute reluctance to sentimentalize the plights of its marginalized subjects as they struggle with mental illness, drug addiction and poverty. The film leaves some of its stories hopefully, others precariously close to despair, but its patron saint, building manager Roberta Goodman, provides the greatest reason for optimism as she tirelessly tries to improve her residents’ lives.

—David Gray

Presented in association with Community Works West. West Coast Premiere.

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